In traditional Hong Kong, there is a belief in the existence of life after death, where the dead await the approval of a new life by an institution in the afterworld. The deceased continue to exist in the afterworld in temporary lodging as they wait in transit.
Descendants of the dead buy and burn their late ancestors’ favourite necessities and paper-made offerings, such as clothes, shoes, food, car, houses, currency, and so on. It is believed that these offerings, after being set on fire, can be transferred to afterworld as real clothes, shoes, food, car, house, currency etc. People are convinced that the deceased will then possess sufficient necessities for daily life, living well and wealthily. This work is about the transition from birth to death, from death to the afterlife, and the transferring of all kinds of offerings to the deceased, while abstract things of ancestors enter their descendants’ minds.
I tried to capture the flow of smoke in each scene, then combined three photos into the whole picture, where the smoke vanishes into things. Smoke is intangible, which is like the phenomena with the human mind in which abstract things emerge. Is seeing is believing? Or is believing is seeing?
This "Vanishing into things” project was selected one of the finalist in 2017/2018 WMA Masters Competition held by WYNG Foundation